论张炎词中飞鸟意象的文化意蕴  

On the Cultural Implication of Bird Image in Zhang Yan's Ci

作　　者：陈毓娟 CHEN Yu-juan(College of Humanities,Shaanxi University of Technology,Hanzhong Shaanxi 723001,China)

机构地区：[1]陕西理工大学人文学院,陕西汉中723001

出　　处：《齐齐哈尔师范高等专科学校学报》2021年第6期40-42,共3页Journal of Qiqihar Junior Teachers College

摘　　要：张炎词反映了南宋末期典型的士人心态和词学风尚,在词中他偏爱使用鸥鸟、鹤和燕子等鸟意象,在词集《山中白云词》中鸥鸟出现了56次,鹤出现了40次,燕子出现了38次,这些鸟意象的文化意蕴各不相同:其中归雁啼鹃代表着张炎的遗民哀思;亲鸥盟鹭代表着张炎闲适超脱的山林意趣;社燕征鸿代表着张炎的孤寂心态。这些鸟意象在一定程度上反映了张炎国破家亡后的人生态度和审美趣味。Zhang Yan's Ci poetry reflects the mentality of typical scholars and the trend of Ci Poetry in the late Southern Song Dynasty.In his CI,he prefers to use bird images such as gull,crane and swallow.In the collection of words"Ci of white clouds in the mountains",gull appeared 56 times,crane appeared 40 times and swallow appeared 38 times.The cultural implications of these bird images are different.Returning wild geese crowing cuckoos represent the grief of Zhang Yan's survivors;Pro gull alliance Heron represents Zhang Yan's leisure and detached interest in mountains and forests;Sheyan Zhenghong represents Zhang's lonely mentality.To some extent,these bird images reflect Zhang's life attitude and aesthetic taste after his family broke down.

关 键 词：张炎词 鸟意象 文化意蕴 

分 类 号：I222.8[文学—中国文学]