花间别调:试论五代后蜀词人欧阳炯的南粤词  

Different Tone Between Flowers:On Ouyang Jiong's Southern Cantonese Ci in the Later Shu Dynasty

作　　者：杨操 YANG Cao(Liberal Arts College of Yunnan Normal University,Kunming 650500,China)

机构地区：[1]云南师范大学文学院,昆明650500

出　　处：《齐齐哈尔师范高等专科学校学报》2021年第6期59-62,共4页Journal of Qiqihar Junior Teachers College

摘　　要：后蜀赵崇祚所编的《花间集》因其绮靡的艳词风格而为历代诗词批评家所诟病,但其中不乏一些格调较高的词作,即所谓的“花间别调”。五代后蜀词人欧阳炯所作的《南乡子》八首就是其中的佳作,词中描写了南粤的风俗人情,具有很浓的南粤乡土气息。词中有关南粤风光的描写不仅丰富了五代词的题材,而且还开拓了词境,表现出南方文学的柔美婉约特质,在词史上具有独特意义。The Flower Collection compiled by Zhao Chong-zuo of Later Shu was criticized by poetry critics of all dynasties because of its beautiful style of words,but there are some of the higher style lyrics,the so-called"tone between flowers".Eight Poems written by Ou-yang Jiong,after the Later Five Dynasties,are one of the excellent works.The words describe the customs and customs of southern Guangdong and have a strong local flavor of southern Guangdong.The description of the scenery of southern Guangdong in the words not only enriches the theme of the Five Dynasties,but also explores the word environment,showing the soft and graceful characteristics of southern literature,which has a unique significance in the history of words.

关 键 词：欧阳炯 南粤词 《南乡子》 花间别调 乡土气息 开拓词境 柔美婉约 

分 类 号：I222.8[文学—中国文学]