胡风东渐——胡床与文化适应现象  被引量:2

The barbarian style to The East--The barbarian seat and the phenomenon of cultural adaptation

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作  者:杨嘉媛 盛洁[2] YANG Jiayuan;SHENG Jie(College of Fine Arts, Nanjing Normal University, Nanjing 210046, China;School of Art Design, Zhenjiang College, Zhenjiang 212028, China)

机构地区:[1]南京师范大学美术学院,江苏南京210046 [2]镇江高等专科学校艺术设计学院,江苏镇江212028

出  处:《镇江高专学报》2022年第1期98-101,共4页Journal of Zhenjiang College

摘  要:胡床作为胡风东渐的一个缩影,成为中国古代高坐家具的实质性开端,在根基深厚的汉文化体系中保存,并不断改变汉文化原本的习惯,最终也改变了自身形制。探析胡床的历史背景、文化背景、对中华文化的影响。The barbarian seat,as a microcosm of Western exotica,became the substantial beginning of ancient Chinese high profile furniture,which survived in the profound Chinese cultural system and continued to change the original habits of the Han people,eventually changing its own form in the process.The purpose of this thesis is to explore the influence of the barbarian seat on Chinese culture through an account of its historical and cultural background.

关 键 词:胡床 文化适应 高坐家具 

分 类 号:G124[文化科学]

 

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