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作 者:李玲[1] Li Ling
出 处:《南开学报(哲学社会科学版)》2021年第6期139-147,共9页Nankai Journal:Philosophy,Literature and Social Science Edition
基 金:国家社会科学基金重大招标项目(19ZDA276)。
摘 要:冰心创作于20世纪三四十年代的《冬儿姑娘》等小说,既不同于审视民众缺点的启蒙文学,也不同于偏重于为穷人辩护的左翼文学,而是显示了现代小说发展进程中的一个新动向:以静心聆听的态度接纳他者生命并不完美的本然状态。它所流露的理解他者、接纳他者的慧心,与冰心"五四"时期以主观抒情为主的"爱的哲学"的文学咏唱之间,既有一脉相承的轨迹可循,又有着明显的不同。此类作品启发我们,在中国现代文化的建构中,应当客观认知文学创作中原已包含的接纳、包容的传统,并给予一定的重视。Donger Guniang and other novels written by Bing Xin in the 1930 s and 1940 s differed from both the enlightenment literatures which examined the people’s shortcomings and the leftwing literatures which emphasized defending the poor. They otherwise exhibited a new trend in the development of modern novels: accepting the natural status of others’ imperfect lives with the attitude of listening to them patiently. The wisdom of understanding and accepting others, that this trend exhibited, conformed to, yet had some discrepancies to, the"philosophy of love"in Bing Xin’s writings during the May Fourth Movement. Such type of writings imply that we should objectively identify and assess the tradition of acceptance and tolerance, particularly when addressing literary compositions in the construction of modern Chinese culture.
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