论马原《虚构》对故事真实的创建和颠覆  

On the Creation and Subversion of the Truth in Ma Yuan's Fiction

作　　者：陈英 CHEN Ying(School of Liberal Arts,Guizhou Normal University,Guiyang 550025,China)

机构地区：[1]贵州师范大学文学院,贵州贵阳550025

出　　处：《焦作大学学报》2021年第4期30-33,共4页Journal of Jiaozuo University

摘　　要：马原作为先锋派小说代表作家之一,他的小说对此前传统小说的写法进行了一次"革新",一反传统小说写作中重写实内容而忽略形式的风格,转而将注意力放置于"怎么写"而非"写什么"之上。在马原的代表作品《虚构》中,他对"故事真实"进行创造又进行颠覆,不断肯定又进行否定和再肯定,在套娃似的嵌套之中,模糊了故事发生的时间、空间、原因、结果,使得整个故事虚实相间,从而丧失现实主义小说的真实性,马原就通过描写一些看似真实的事物,而后将其颠覆,留下宽广又发人深省的空间。As one of the representative writers of avant-garde novels, Ma Yuan’s novels have "renovated" the writing of the former traditional novels. Instead of rewriting the actual content and ignoring the formal style in traditional novel writing, he has turned his attention to "how to write" instead of "what to write". In his representative work Fiction, he creates and subverts the "story truth", constantly affirming and negating and reaffirming. In the nesting of dolls, the time,space, cause and effect of the story are blurred, making the whole story alternate between truth and fiction, thus losing the authenticity of realist novels, he described some seemingly real things and then subverted them, leaving a broad and thought-provoking space.

关 键 词：虚构 故事真实 颠覆 

分 类 号：I207.4[文学—中国文学]