潘玉良后期绘画的生命性叙事  

The Narrative of Life in Pan Yuliang’s Later Paintings

作　　者：冯建章[1] 马永超[1] FENG Jianzhang;MA Yongchao(School of Art,Sanya University,Sanya 572022,China)

机构地区：[1]三亚学院艺术学院,海南三亚572022

出　　处：《湖州师范学院学报》2021年第11期84-90,共7页Journal of Huzhou University

摘　　要：潘玉良是二十世纪中国首屈一指的女画家。正是其生命境遇的特质造就了其特有的创作心境与作品美感。客居法国期间,潘氏的创作风格日臻成熟,可从三方面来解读:一是月宫般荒寒的生命境遇,二是春江月夜般的心理境遇,三是欢乐颂般大自在的生命境界。读懂潘玉良是了解二十世纪中国现代绘画史的一把钥匙,正确评价其艺术成就,将对当代美术从形式创新到情感表达具有正面的启示意义。Pan Yuliang is the leading female painter in China in the 20th century.It is the peculiarity of her life circumstances that creates her unique creative mood and aesthetic feeling of her works.During her stay in France,Pan's writing style became more and more mature,which can be interpreted from three aspects:the first one is the desolate and cold life circumstances like the moon palace;the second one is the psychological situation like the spring river with moonlight;and the third one is the carefree life state like the Ode to Joy.Understanding Pan Yuliang is a key to understanding the history of modern Chinese painting in the 20th century,and a correct evaluation of Pan's artistic achievements will have the positive enlightening significance to contemporary art from form innovation to emotional expression.

关 键 词：潘玉良 生存 心境 荒寒 生命性 

分 类 号：J205[艺术—美术]