“边缘”境地的別样风景——林莽早期诗歌创作及其与新时期文学话语关系探究  

The Different Scenery of“Marginal”Situation——Lin Mang’s Early Poetry Creation and Its Relationship with Literary Discourse in the New Period

作　　者：于树军[1] YU Shu Jun

机构地区：[1]哈尔滨师范大学文学院,黑龙江哈尔滨150025

出　　处：《学术月刊》2021年第11期157-167,共11页Academic Monthly

基　　金：国家社会科学基金一般项目“新时期现实主义文学发展境遇研究”(19BZW012)的阶段性成果。

摘　　要：白洋淀诗歌群落成员、朦胧诗人林莽创作于特定复杂时代语境的早期诗歌,沉郁凄婉、温厚中和、节制内敛而又不乏现代派色彩与思想锋芒,具有独特的艺术个性和审美价值。然而在新时期诗歌史乃至新时期文学史上却一度被边缘化而处于"失踪"的境地。考察林莽早期诗歌创作及其"失踪"的成因,有助于较为全面地认识1970年代至新时期初诗歌创作的丰富性,更好地理解把握林莽早期诗歌创作与新时期文学话语范式之间的复杂关系,为重新审视新时期文学主流话语提供一个参照。Lin Mang's early poetry created in a specific and complex context of the times,who is member of Baiyangdian Poetry Community and Misty Poet,is gloomy and desolate,gentle and moderate,restrained and introverted,and there is no lack of modernist color and ideological edge,and also has unique artistic personality and aesthetic value.However,it was once marginalized and in a"missing"situation.In the history of poetry and even literature in the New period.Investigate the causes about Lin Mang's carly poetry creation and its"disappearance",will contribute to a more comprehensive understanding of the richness of poetry creation from the 1970s to the beginning of the new period,and then can better understand and grasp the complex relationship between Lin Mang's early poetry creation and the literary discourse paradigm in the New period,as well as provides a reference for re examining the mainstream discourse of literature in the New period.

关 键 词：林莽 朦胧诗 “失踪者”新时期文学话语 

分 类 号：I206[文学—中国文学]