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作 者:刘珩[1] Liu Heng(School of Foreign Languages,Capital Normal University,Beijing,China)
出 处:《外国文学》2021年第6期64-76,共13页Foreign Literature
摘 要:行动者网络理论中的行动者并非单个的行动者,而是依附特定网络联系而存在的某种实体。行动者既可以是人,也可以为物,它们平等地在集合的连锁效应中发挥各自的能动性。网络则是指诸多行动者可以依附的关系场域,它具有变化以及扩展的作用,从而将诸多人与非人的行动者组合在一起,形成异质纷陈的联合形式。行动者网络以人与非人的行动者之间的交织缠绕和相互依存为前提,近年来在物的理论、自我以及文本与阐释的本体论等相关文学批评领域引起广泛共识。从科学领域发展而来的行动者网络理论,势必对科技时代、数字时代的文学研究产生颇为有益的启示作用。The actor in ANT does not refer to an individual agent,but rather an entity whose existence depends on its network of alliance.The actors can be human or nonhuman;they are equal in playing the role of agency in a concatenation.Network refers to the shifting and expansive relational field to which many actors can be attached,hence heterogeneous associations may be generated.In recent years,premised on the entanglement of coordinated actions of human and nonhuman actors,ANT has resonated unprecedentedly in literary criticism,particularly in the sub-fields such as thing theory,self and the ontology of text and interpretation.Obviously,an ANT that developed from natural science can shed some light on present literary studies in the“scientific and technological era.”
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