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作 者:胡飞海 HU Fei-hai(College of Humanities,East China Jiaotong University,Nanchang,Jiangxi 330013)
出 处:《牡丹江大学学报》2021年第12期64-70,共7页Journal of Mudanjiang University
基 金:江西省文化艺术科学规划项目“中国家族电视剧改编的历史嬗变与文化审视”(YG2020086)。
摘 要:较之巴金小说《家》,改编于1956年同名电影的主题内容已发生了偏移,表现为弱化家族制度的批判以突出时代政治意义。对此,电影《家》在具体的改编过程中特意增加符合“正确的政治方向”的情节,淡化小说《家》中不谐和时代乐观精神的悲剧情绪,同时过滤主要人物觉慧的落后观念而强化其不断进取的精神。这些改编措施的实施,赋予了电影《家》浓郁的政治色彩,具有鲜明的时代特征。而这一切主要与“十七年”时期“一体化”的历史语境有关。Compared with Ba Jin’s novel Family,the theme of the 1956 movie Family has undergone some changes,which is to weaken the criticism of the family system and highlight the political significance of the times.For it,in the specific adaptation process of the movie Family,the plot in line with the“correct political direction”is specially added,the tragic mood of the disharmonious and optimistic spirit of the times in the novel Family is weakened,and the backward concept of Jue Hui is filtered to strengthen his continuous enterprising spirit.The implementation of these adaptation measures,endows the movie Family with rich in political color,and with distinct characteristics of the times.All these are mainly related to the historical context of"integration"of literary and artistic creation in the“seventeen years”period..
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