多视角论中国服饰时尚美学接受之维  

On the Acceptance Dimension of Chinese Clothing Fashion Aesthetics from Multiple Perspectives

作　　者：孟少妮[1] 李超德[2] MENG Shao-ni;LI Chao-de(Yuanpei College,Shaoxing University of Arts and Sciences,Shaoxing,Zhejiang,China 312000;School of Art,Soochow University,Suzhou,Jiangsu,China 215123)

机构地区：[1]绍兴文理学院元培学院,浙江绍兴312000 [2]苏州大学艺术学院,江苏苏州215123

出　　处：《浙江纺织服装职业技术学院学报》2021年第4期38-41,100,共5页Journal of Zhejiang Fashion Institute of Technology

基　　金：国家哲学社会科学(艺术学)重大项目“设计美学研究”(编号:19ZD23);绍兴市哲学社会科学研究“十四五”规划重点课题(编号:145D027)。

摘　　要：不同立场下服饰时尚美学的接受维度会呈现出不同的接受效果,这种现象虽然不受质疑,但服饰时尚美学历史变迁中对接受的反应往往言行不一,接受方更多的是一种顺从。本文基于美学思想、服色制度、审美标准等视角,对服饰时尚美学的接受维度作再论证,提出接受之维受多重关系影响的结论。Under different positions,the acceptance dimensions of clothing fashion aesthetics will show different acceptance effects.Although this phenomenon is not questioned,the response to acceptance in the historical changes of clothing fashion aesthetics is often different in words and deeds,and the recipient is more of a kind of obedience.Based on the perspectives of aesthetic thought,color system and aesthetic standards,this paper redemonstrates the acceptance dimensions of clothing fashion aesthetics,and proposes the conclusion that the acceptance dimensions are influenced by multiple relationships.

关 键 词：服饰时尚美学 接受方 服色制度 审美标准 

分 类 号：TS941.11[轻工技术与工程—服装设计与工程]