从设计生态的视角看非遗创新之争议--建立手工艺类非遗保护的新观念  

Rethinking the Dispute about Intangible Cultural Heritage Innovation from the Perspective of Design Ecology Theory:Establishing a New Concept of Handicraft Intangible Cultural Heritage Protection

作　　者：唐胜天[1] TANG Shengtian(Guangxi Arts University,Nanning 530022,China)

机构地区：[1]广西艺术学院,南宁530022

出　　处：《工业工程设计》2021年第6期38-42,共5页INDUSTRIAL&ENGINEERING DESIGN

摘　　要：我国非物质文化遗产保护工作开展近二十年来,取得丰硕成果的同时亦伴随诸多讨论。其中“非物质文化遗产应该原样保留还是创新发展”这一议题,引发广泛争议。本研究通过实际案例分析认为,虽然争议双方均有理有据,但在实际操作中却都存在局限。因此试图从设计生态理论的视角重新审视上述讨论,搁置争议,建立基于设计生态视角的将传统技艺“内嵌”回其生存环境的保护新观念。同时,呼吁相关非遗保护机构重视打造传承人与从事创新工作的专业人士的沟通平台,以新观念推动非遗保护工作的可持续发展。In the last decade,the protection of intangible cultural heritage in China has achieved fruitful results,but also accompanied by many discussions.Among them,the issue of"Intangible cultural heritage should be retained as is or innovative development"has aroused widespread controversy.Through the analysis of cases,the article holds that although both sides of the dispute are justified,there are limitations in practice.Therefore,this paper attempts to re-examine the discussion from the perspective of design ecology theory,and suggests to shelve the disputes,establish a new concept of protection of traditional skills“embedded”back to its living environment from the perspective of design ecology.At the same time,the paper calls on relevant intangible cultural heritage protection institutions to pay attention to building a communication platform between inheritors and innovative talents,so as to promote the sustainable development of intangible cultural heritage protection with a new concept.

关 键 词：非物质文化遗 创新 设计生态 传统手工技艺 保护方式 可持续发展 

分 类 号：J528[艺术—艺术设计]