清华简《五纪》的“壇”与郭店简《唐虞之道》的“禅”  

An Analysis of the Graph Tanin the Tsinghua Wuji Manuscript and the Graph Shanin the Guodian Tang yu zhi dao Manuscript

作　　者：石小力[1] Shi Xiaoli

机构地区：[1]清华大学出土文献研究与保护中心"古文字与中华文明传承发展工程"协同攻关创新平台

出　　处：《出土文献》2021年第4期35-43,155,共10页Excavated Documents

基　　金：国家社科基金重大项目“先秦两汉讹字综合整理与研究”(15ZDB095)的阶段性研究成果;“清华大学自主科研计划”(2021THZWJC21)的资助。

摘　　要：清华简第十一辑《五纪》的"■"即"壇(坛)"字省体,《祷辞》篇的"■"也应该释作"壇","■"字所从"■"旁上部或讹作"采/米"形,据此可知郭店简《唐虞之道》禅让之"禅"为从"■(壇)"声之字,可隶作■,即"邅"字异体,与禅让之"禅"音义皆通。The graph tan■in the Wuji五纪manuscript,volume 11 of the Tsinghua bamboo manuscripts,is a shortened form of tan壇.Tan■in the Daoci祷辞should also be interpreted as tan壇.The top of its component"■"could have corrupted to the forms采or米and as a result we know that the graph shan禅in the Guodian Tang yu zhi dao唐虞之道manuscript has■(壇)as phonetic sign and can be transcribed as■,which is a variant of the graph shan邅,and has the same sound and meaning as shan禅of renunciation.

关 键 词：楚简 《五纪》 《唐虞之道》 壇 禅 

分 类 号：K877.5[历史地理—考古学及博物馆学]