米修笔下的中国形象建构及生成机理  

The Construction and Formation Mechanism of Chinese Image in Michaux's Works

作　　者：张海燕 徐梅 ZHANG Hai-yan;XU Mei(College of Humanities,Kashi University,Kashi 844006,Xinjiang,China;Editorial Department,Kashi University,Kashi 844006,Xinjiang,China)

机构地区：[1]喀什大学人文学院,新疆喀什844006 [2]喀什大学学报编辑部,新疆喀什844006

出　　处：《喀什大学学报》2021年第5期72-78,共7页Journal of Kashi University

基　　金：2020年度教育部人文社会科学研究规划基金项目新疆项目“20世纪法国文学中的中国形象研究”(20XJJA752001);喀什大学教研教改课题“外国文学线下金课建设的实践研究”的阶段性成果。

摘　　要：运用比较文学形象学的研究视角和方法,分析了米修笔下建构的中国形象:具有多重性与复杂性的民族性格,丰富而深奥的哲学命题和智慧沉淀,多样化的文化形态与生态。在此基础上阐明了米修作品中国形象构建的生成机理:西方世界对中国形象的集体想象,成为米修作品的生成语境;自身性格和经历使其拒斥本位文化而向往异域文化;中国文化满足其精神需求,使其找到文化方向,并与中国文化达到一定程度的精神契合。Using the research perspective and method of comparative literature imagology,this paper analyzes the image of China constructed by Michaux:the national character with multiplicity and complexity,the rich and profound philosophical propositions and wisdom precipitation,the diversified cultural forms and ecology.Based on thesean analyses,the author explains the mechanism of China image construction:the collective imagination of the image of China in the western world becomes the context of Michio's works.Their own characters and experiences make them reject the native culture and look forward to the foreign culture.Chinese culture satisfies their spiritual needs,helps them to find the cultural direction,and achieve a certain level of spiritual harmony with Chinese culture.

关 键 词：米修 中国形象 生成机理 

分 类 号：I109.5[文学—世界文学]