澳洲鄂籍作家的风景叙事和意义生产——以张劲帆、欧阳昱和韦敏的作品为例  

Landscape Narrative and Production of Meaning by Hubei Writers in Australia, with the Examples of Zhang Jinfan, Ouyang Yu and Wei Min

作　　者：裴蓓 Pei Bei

机构地区：[1]武汉体育学院国际教育学院

出　　处：《华文文学》2021年第6期37-46,共10页Literatures in Chinese

摘　　要：澳华文学的崛起是上世纪海外华人文学的一大景观。国内澳华文学研究历经30余年发展,仍然相对滞后。近年来受到文学地理学的启发,一些学者突破研究范型的自我设限,为澳华文学研究带来新的视野和方法。鄂籍澳华作家张劲帆、欧阳昱和韦敏的作品,虽代表当代澳华文学的三种创作策略,即"经典写作"、"创生写作"和"当地写作",但其中均能觅得一条风景叙事的伏脉。作家的风景叙事赋予地方以情感、态度和价值判断,"人—地—情"的紧密编织让不同的文化立场经由风景发声。这种风景意义的生产既源自作家天生"存在中的身份"和故乡的情感记忆,又围绕持续更新的"生成的身份"和异乡的情感体验纵深推进,铺设出一条澳华文学风景阐释的新路径。The emergence of Chinese Australian literature is spectacular as part of literature in Chinese overseas in the last century although researchers of this literature in China still lag behind despite development for 30-odd years.In recent years,inspired by literary geography,a number of scholars have broken the self-set limitations on research paradigms,have brought in new perspectives and methods to this literature.Although Zhang Jinfan,Ouyang Yu and Wei Min,writers originally from Hubei,represent three writing strategies in Chinese Australian literature,which are classic writing,raw-creative writing and local writing,there is a hidden vein of landscape narrative and their landscape narratives endow the place with feelings,attitudes and values judgment,with the close knitting of people,place and feelings voicing through landscape from different cultural positions.The production of such landscape meaning not only originates from the writers’innate existential identity and their emotive memory of their hometowns but also surrounds the continued renewal of generated identity and feelings in an alien country that moves further,paving a new pathway in the explication of landscape in Chinese Australian literature.

关 键 词：澳华文学 湖北 张劲帆 欧阳昱 韦敏 风景叙事 

分 类 号：I106[文学—世界文学]