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作 者:吴昊 WU Hao(School of Literature,Langang Normal University,Langang 065000,China)
出 处:《济宁学院学报》2021年第6期65-70,78,共7页Journal of Jining University
基 金:河北省社会科学基金年度项目“《晋察冀日报》文学副刊中的新诗‘大众化’研究”(HB20ZW003)。
摘 要:从“关键词”的角度来梳理新诗“大众化”理论的生成与流变,能够在一定程度上理清“大众化”诗学的发展脉络,具有相当重要的意义。就新诗“大众化”中“大众”一词的词源而言,其经历了“平民-普罗-大众”的流变,这种变化与20世纪20-30年代的社会历史变迁相契合。围绕着“国防诗歌”与“抗战诗歌”两个关键词,30年代“纯诗”诗学与“大众化”诗学展开了两次论争,论争的结果是“大众化”诗学占据话语权优势。对“民族形式”这一关键词的讨论意味着“大众化”诗学在形式方面走向成熟,并最终确立了主导地位。对“关键词”的分析能够涵盖新诗“大众化”理论发展过程中的许多重要问题,可以视为“大众化”诗学研究今后的突破点之一。Sorting out the formation and evolution of the"Popularization"theory in the new poetry from the perspective of"key words"can clarify the development sequence of"Popularization"Poetics to a certain extent.First of all,as far as the etymology of the word"public"in the"Popularization"of new poetry is concerned,it has experienced the evolution from"common people"to"ordinary people",and to"the mass",which is consistent with the social and historical changes from 1920 to 1930.Secondly,around the two key words of"national defense poetry"and"Anti Japanese War Poetry",there were two debates between"pure poetry"poetics and"popular"poetics in the 1930 s,and the result of the debate was that"popular"poetics had the advantage of discourse power.Thirdly,the discussion of the key word"national form"means that"popular"poetics is becoming mature in form,and finally establishes its dominant position.The analysis of"key words"can cover many important issues in the development of the theory of"Popularization"of new poetry,and thus can be regarded as one of the breakthrough points in the future study of popular poetics.
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