祝尧《古赋辩体》的宋赋观论略  

View on Song Fu in Zhu Yao’s Genre of Ancient Rhapsody

作　　者：余丹 YU Dan(School of Chinese Language and Literature, Beijing Normal University, Beijing 100875, China)

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《唐都学刊》2021年第6期60-65,共6页Tangdu Journal

基　　金：国家社科基金重大项目:“中国古代都城文化与古代文学及相关文献研究”(18ZDA237)。

摘　　要：宋赋观是祝尧《古赋辩体》辨体理论体系的重要组成部分,包括先辨体、后评文的宋体赋批评理念;分赋之文、取文之赋的选篇源流论;恶俳以成文、尚理而失情的价值论。这些观点贯穿于宋体小序、赋家小传和赋作解题之中,彼此映证,互为补充,共同构成了内容赅备、体系严整、有理论深度的宋赋辨体批评体系。祝尧的宋赋观,既为宋代辞赋批评做出了理论性总结,也对明代的宋赋批评产生了直接而深刻的影响。The view on Song Fu is an important component of the theoretical system of genre criticism in Zhu Yao’s The Genre of Ancient Rhapsody(Gufu Bianti in Chinese pinyin),including the criticism concept on Song Fu of the literary review followed by genre;the theory of the origin of the selected pieces by separating the literary style from the Fu style;and the value theory of disliking the haik style and preferring the literary style while advocating reason and neglecting emotion.These viewpoints are reflected in the prefatory notes of the Song Style in The Genre of Ancient Rhapsody,the biography after the Fu writer’s name,and the titular interpretation after the titles of the Fu writings,they all complement each other,together forming a comprehensive,systematic and profound theoretical criticism on Ci Fu in the Song dynasty.Zhu Yao’s genre criticism on Song Fu is a theoretical summary of the criticism on Ci Fu in the Song Dynasty and also has a direct and profound effect on the criticism on Ci Fu in the Ming Dynasty.

关 键 词：祝尧 《古赋辩体》 宋赋观 

分 类 号：I207.224[文学—中国文学]