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作 者:王群丽[1] WANG Qun-li(Chinese Literature School,Liaocheng University,Liaocheng 252059,China)
出 处:《聊城大学学报(社会科学版)》2021年第6期74-83,共10页Journal of Liaocheng University:Social Science Edition
基 金:国家社科基金青年项目(08CZW023):唐代省试诗研究。
摘 要:着题是一种创作的观念和衡量诗歌艺术效果的标准。其概念有两个维度:一是指诗歌的表述与生活的实际情况相合,二是指诗歌的写作需要处处围绕题目甚至贴切题字。着题的写作方式是在诗歌写作自身发展历程中逐渐形成的,大约在晚唐明确成为诗人的主动追求和诗歌艺术优劣的衡量标准,并影响到宋以及宋代以后诗歌的创作实践和理论。唐省试诗作为一种赋题诗歌,天然都是着题诗。省试诗因其在社会生活中的重要地位以及其着题的写作特点,在着题观念影响力日隆的过程中起了重要的推动作用。省试诗通过着题的创作观念一定程度上影响了主流诗歌史的走向。Zhuoti is a writing idea and judgment criterion of poetry artistic effect.The conception has two dimensions:one means that the experession of poetry coincides with the reality of life,another means that poetry writing revolves around the topic and even expresses it well.Zhuoti writing pattern gradually formed in the development of poetry writing.In the late Tang Dynasty,it clearly became the ideal which poets actively pursuit and judgment criterion of poetry artistic effect.And it also affected the practice and theory of poetry creation in the Song Dynasty and the following era.As a kind of poetry revoleved around the topic,PTDIE(the Poems in Tang Dynasty's Imperial Examinations)naturally has zhuoti style.Because of the important position in social life and the chanacter of writing,PTDIE played an important role during the process of Zhuoti influence increasing.PTDIE also changed the trend of the mainstream poetry history to some extent by the Zhuoti writing idea.
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