“音乐民族化”运动(1949—1966)中的歌曲创作回顾与启示  

A Review of the Composition of Lyrics and Songs in the Movement of Music Nationalization between 1949 and 1966 and Its Inspiration

作　　者：齐柏平[1] 赵诣飞 QI Baiping;ZHAO Yifei(Academy of Fine Arts,Renmin University of China;Arts Education and Outreach Department,National Centre for the Performing Arts)

机构地区：[1]中国人民大学艺术学院 [2]国家大剧院艺术普及教育部

出　　处：《中国人民大学学报》2021年第6期176-185,共10页Journal of Renmin University of China

摘　　要：民族化是20世纪中期的一种重要艺术思潮,它覆盖了所有的文艺领域。中华人民共和国成立后17年(1949—1966),音乐民族化表现了音乐领域的思想发展和政治倾向,反映了作曲家积极响应党的号召,谱写时代新声之历史过程。从音乐发展的角度来回顾音乐民族化的歌曲创作及其成果极有意义。对当时的歌曲进行分类,对其艺术手法加以音乐学分析,对其创作成果加以史学研究,以展示新中国成立后17年的艺术"初心",增强民族自信。The trend of nationalization in art was important in the mid-20 th century.The composition of lyrics and songs during the Movement of Musical Nationalization lasting from 1949 to 1966 is characterized for its strong ideological and political intent in responding to the call of the Party to create new voice of the times.To review the movement during those seventeen years helps enhance our national confidence.

关 键 词：新中国成立初期 音乐民族化 歌曲 创作 

分 类 号：J604[艺术—音乐]