芥川龙之介《地狱变》中“崛川大公”人物形象分析  

Analysis of the character image of“Da Gong Horikawa”in Jigokuhen(Hell screen)by Ryunosuke Akutagawa

作　　者：韩艳平 HAN Yanping(Foreign Languages of Zhoukou Normal University,Zhoukou 466001,China)

机构地区：[1]周口师范学院外国语学院,河南周口466001

出　　处：《周口师范学院学报》2021年第6期37-40,共4页Journal of Zhoukou Normal University

基　　金：河南省高校人文社科项目“芥川龙之介《地狱变》中‘艺术至上主义’的重新解读与建构”(2020 ZZJH 504)。

摘　　要：《地狱变》是芥川龙之介根据日本古籍《宇治拾遗物语》和《古今著闻集》中的两个故事创作而成。小说中刻画了很多性格鲜明的人物。其中,针对崛川大公这一角色的设置,芥川采用明暗两条线,运用“反讽”手法,通过仆人之口和小说中蜻蜓点水似的民间议论,塑造了一个骄奢淫逸、残暴自私又虚伪但却拥有“至高无上”权力的封建统治者的人物形象。Jigokuhen(Hell screen)is created by Ryunosuke Akutagawa based on two stories in the ancient Japanese books Uji Shui Monogatari and Ancient and Modern Books.Many characters with distinct personalities are depicted in the novel.Among them,Akutagawa adopted two“light”and“dark”lines for the role of“Da Gong Horikawa”,and used“irony”to create a character image of a feudal ruler who was extravagant,cruel,selfish and hypocritical but possessed“supreme”power through the mouth of servants and the superficial folk talk in the novel.

关 键 词：《地狱变》 崛川大公 人物形象 

分 类 号：I313.714[文学—其他各国文学]