中国新兴版画的现实主义思想及转变  

The Realistic Thought and Transformation of China's New Woodcut Movement

作　　者：陈思学 Chen Sixue

机构地区：[1]清华大学美术学院

出　　处：《美术》2021年第12期11-16,共6页Art Magazine

摘　　要：20世纪30年代初,鲁迅所倡导的新兴版画不仅成为唤醒国民的重要方式,同时也为中国美术的发展开辟出了一条区别于西方现代艺术的发展路径。然而,鲁迅现实主义思想究竟是如何形成的?新兴版画所需要的现实主义精神是什么?相对于鲁迅所倡导的早期新兴版画,延安时期和新中国时期的现实主义文艺思想发生了什么样的变化?版画创作又是如何回应这种思想转换的?本文试图以鲁迅现实主义思想的形成为起点,讨论现实主义观念在不同时期的思想转变以及版画创作对于不同时期所出现问题的具体回应。In the early 1930 s,the new woodcut advocated by Lu Xun not only became an important way to awaken the people,but also opened up a path for the development of Chinese art different from western modern art.However,how did Lu Xun’s realistic thought come into being?What was the realistic spirit that new woodcut needs?Compared with the early new woodcut advocated by Lu Xun,what changes had taken place in the realistic literary thought in Yan’an period and New China Period?How did woodcut respond to this ideological shift?This paper,taking the formation of Lu Xun’s realistic thought as a starting point,attempts to discuss the ideological change of the realistic idea in different periods and the specific response of woodcut creation to the problems in different periods.

关 键 词：鲁迅 新兴版画 现实主义 中国现代美术 

分 类 号：J209[艺术—美术]