贾力坚的革命历史题材版画创作  

Jia Lijian's Woodcuts with Revolutionary Historical Theme

作　　者：吴端涛 Wu Duantao

机构地区：[1]山东艺术学院 [2]《美术》杂志编辑部

出　　处：《美术》2021年第12期71-75,共5页Art Magazine

摘　　要：军旅版画家贾力坚在革命历史题材创作中,始终坚持木刻语言来表达自己,同时不断深入探索并发掘油印套色的可塑性。随着创作的不断深入,其创作主题经历了从部队到英雄再到人民的三次转换,主题转换源自贾力坚对革命历史认识的不断深刻,而这个转换过程也客观体现了贾力坚以木版刀痕塑造具有版画语言特色的民族史诗的艺术理想。As a military woodcutter,Jia Lijian always adheres to the ontological language of woodcut to express himself,while constantly exploring the plasticity of mimeograph color technique in the creation of revolutionary historical themes.With the deepening of his creation,the theme of his creation has undergone three transitions from army to heroes and then to the people.The change of theme originates from Jia Lijian’s deepening understanding of revolutionary history,the process of which also objectively reflects his artistic ideal of creating national epic with engraving language characteristics shaped by woodblock and cutting marks.

关 键 词：贾力坚 木刻版画 革命历史题材 

分 类 号：J205[艺术—美术]