多元文化交汇下泉州开元寺宋代“飞天”造型  

“Flying Sky”modeling of Kaiyuan Temple in Quanzhou in Song Dynasty under the intersection of multiple cultures

作　　者：陈晓萍[1] 王庆兰 Chen Xiaoping;Wang Qinglan

机构地区：[1]泉州师范学院美术与设计学院

出　　处：《天工》2021年第12期28-31,共4页

基　　金：福建省社科一般项目(编号:FJ2020B096)。

摘　　要：宋元时期,泉州是“海上丝绸之路”的起点城市,高度繁荣的商业贸易促进了当地文化的发展。海洋文化、闽南文化和中原文化在泉州地区和谐共处、相互融合。泉州现存许多不同造型的“飞天”是当地文化多样性的最佳证明,其中,泉州开元寺中宋代“飞天”的艺术形象可谓是典范,极具研究价值。通过分析泉州开元寺宋代的“飞天”艺术造型折射出的多元文化内涵,以此诠释泉州“飞天”独特的艺术魅力和历史价值。During the Song and Yuan Dynasties,Quanzhou was the starting point of the“maritime Silk Road”,and Highly prosperous commercial trade promoted the development of local culture.Marine culture,Minnan culture and Central Plains culture coexist harmoniously and integrate with each other in Quanzhou.There are many different shapes of“flying sky”in Quanzhou,which is the best proof of local cultural diversity.Among them,the artistic image of“flying sky”in the Song Dynasty of Kaiyuan Temple in Quanzhou is a model and has great research value.By analyzing the multicultural connotation reflected by the artistic modeling of“flying sky”in the Song Dynasty of Kaiyuan Temple in Quanzhou,this paper interprets the unique artistic charm and historical value of“flying sky”in Quanzhou.

关 键 词：多元文化 泉州开元寺 宋代 “飞天” 造型独特 

分 类 号：J529[艺术—艺术设计]