叛逆与冷静——解读日本女作家横田文子  

Rebellion and calm:An Interpretation of the Japanese Female Writer Yokota Fumiko

作　　者：徐义红[1] 李晓霞[1] Xu Yihong;Li Xiaoxia

机构地区：[1]大连交通大学外国语学院,辽宁大连116028

出　　处：《东北亚外语研究》2021年第4期70-76,共7页Foreign Language Research in Northeast Asia

基　　金：教育部人文社会科学研究青年基金项目“日本女性作家战争记忆、战争责任与历史认知研究(1931-1995)”(18YJC752017);国家社会科学基金后期资助项目“日本女性文学战争记忆书写研究”(19FWWB010)的阶段成果。

摘　　要：作为日本侵华战争时期来到中国东北的日本女性作家之一的横田文子,在文学创作方面展现出了与其他同时代作家完全不同的理性与客观。在战争、殖民地的社会背景下,这些作品显得独树一帜又难能可贵。汇总横田文子各时期的文学作品,通过分析她的文学经历,理解她充满叛逆的文学人生,从初入文坛的满腔热血,到遭受挫折时的偏执与不屈,不论是在侵略战争期间,来中国东北时展现的人文关怀,还是战败之后,回国表现的平静沉寂,横田文子都没有如其他女性作家那样随波逐流,而是无时不充满了对权威、对现实的控诉与叛逆。在研究日本战时与战后文学的共性认识的基础上研究横田文子的差异性和特殊性,进而从一个新的人文角度理解战争前后的日本文坛有着独一无二的价值与意义。As one of the Japanese female writers who came to“Manchuria”during the Japanese War of Aggression against China,Yokota Fumiko showed a completely different rationality and objectivity from other contemporary writers in literary creation.In the context of war and colonial society,these works are unique,rare and commendable.This paper summarizes Yokota Fumiko’s works from various periods through the analysis of her literary experience and tends to understand her rebellious literary life which was full of zeal when she entered in the literary world,paranoid and unyielding when she met with reverses.During the war,she paid much attention to humanistic care in“Manchuria”.While after the war,she went back to Japan with peace and silence.Yokota Fumiko did not drift with the current like other female writers.However,she accused and rebelled against authority and reality all the time.Based on the common understanding of Japanese wartime and post-war literature,this paper studies the differences and particularities of Yokota Fumiko in order to have a better understanding of the Japanese literary world’s unique value and significance before and after the war from a new humanistic perspective.

关 键 词：横田文子 日本女作家 女性文学 《美丽的挽歌》 

分 类 号：I106[文学—世界文学]