泛娱乐时代玄幻电影的叙事深度问题——以《悟空传》为例  

Narrative Depth of Chines Fantasy Films in the Pan-entertainment Era:Taking the Film Wukong for Example

作　　者：姜悦 周敏[2] Jiang Yue;Zhou Min

机构地区：[1]嘉兴学院文法学院,浙江嘉兴314000 [2]杭州师范大学文化创意与传媒学院,浙江杭州311121

出　　处：《南京师范大学文学院学报》2021年第4期40-45,共6页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：2022年度浙江省社科联研究课题“网络文学中的青年情感结构研究”(编号2022N56)。

摘　　要：“西游”是近几年国产电影业竞相追逐的超级IP,在大热的同时也带来新的问题,电影《悟空传》可作为典型来剖析。作为改编自网络小说的玄幻类电影,《悟空传》很大程度上摈弃了原著具有一定情感深度的悲情叙事,而偏重于特技和明星的奇观式展示。在对商业片与文艺片二元对立的简单理解下,影片在叙事上相当随意化和碎片化,更在乎的是视觉刺激,而非饱满的逻辑与情感营造,在很大程度上迎合了当今泛娱乐时代青少年受众越来越追求表面华丽而非抽象思考的趋势。影片在商业成功的同时,并没有真正做到“内容为王”,为当代中国电影的精品化发展做出自己的贡献,但是在一些碎片化的讲述中也显示了一定的创新和可能性。Journey to the West is a super IP pursued by the domestic film industry in recent years.While it is hot,it also brings new problems.The film Wukong could be analyzed as a typical example.As a fantasy film adapted from online novels,Wukong largely abandons the tragic narration with a certain emotional depth in the original work,and focuses on the spectacle display of stunts and stars.Under the simple understanding of the binary opposition between commercial films and literary films,this film is quite random and fragmented in narrative,and it cares more about visual stimulation than full logic and emotional creation.To a large extent,it caters to the ostentatious trend that young people in today's pan-entertainment era are increasingly pursuing rather than abstract thinking.While obtaining commercial success,it does not really achieve in content and make its contribution to the high-quality development of contemporary Chinese films,despite showing certain innovation and possibility in some fragmented narration.

关 键 词：玄幻电影 悟空传 IP 叙事深度 

分 类 号：J975.9[艺术—电影电视艺术]