李白《大鹏赋》与杜甫《雕赋》比较研究  

A Comparative Study of Li Bai’s Fu on the Roc(Dapeng Fu)and Du Fu’s“Fu on the Eagle(Diao Fu)”

作　　者：葛景春[1] GE Jing-chun

机构地区：[1]河南省社会科学院文学研究所,450002

出　　处：《杜甫研究学刊》2021年第4期111-116,共6页Journal of Du fu Studies

摘　　要：李白《大鹏赋》和杜甫《雕赋》堪称禽鸟咏物赋中的翘楚,二者的思想倾向和艺术手法既有相似之处,也有明显区别。李白《大鹏赋》脱胎于道家特别是庄子的自由主义精神,但主旨却在表现儒家的进取意识;杜甫的《雕赋》基本上是儒家刚正忠勇精神的表现。作为咏物辞赋,两赋是对汉魏六朝赋的继承和发展,吸收了汉赋飞扬跋扈的恢宏气势,又吸收了六朝咏物赋的骈四俪六的手法和体式,并有改造和发展。可以说,在语言艺术、体制、思想寄寓等方面他们都对唐代律赋的定型与开拓做出了重要贡献。As the two most outstanding pieces of works of Fu on birds,there are both similarities and differences between Li Bai’s“Fu on the Roc(Dapeng Fu)”and Du Fu’s“Fu on the Eagle(Diao Fu)”in ideological tendencies and artistic techniques.The former was born out of the liberal spirit of Taoism,especially that of Zhuangzi,but it mainly reflects the enterprising consciousness of Confucianism.And the latter is basically the expression of an upright and loyal spirit of Confucianism.As descriptive Fus,their creations inherit and develop the Fu in the period of the Han,Wei and Six dynasties.They learnt from and developed the magnificent style of Fu in the Han dynasty and the rhythmic wording in object-chanting Fu in Six Dynasties.It can be seen that Li Bai and Du Fu made great contributions to the development of the disciplined Fu in the Tang Dynasty’s in aspects of language,system,and thoughts.

关 键 词：李白 《大鹏赋》 杜甫 《雕赋》 唐代律赋 

分 类 号：I207.22[文学—中国文学]