心理芭蕾舞剧《柴可夫斯基》中的复调对话解读  

Interpretation of the Polyphonic Dialogues in the Psychological Ballet Tchaikovsky

作　　者：赵晓宇[1] ZHAO Xiao-yu(School of Music,Henan Polytechnic University,Jiaozuo 454002,China)

机构地区：[1]河南理工大学音乐学院,焦作454000

出　　处：《北京舞蹈学院学报》2021年第5期89-95,共7页Journal of Beijing Dance Academy

摘　　要：芭蕾舞剧《柴可夫斯基》(1993年版)是著名的俄罗斯编舞大师鲍里斯獉艾夫曼用对话的方式来揭示柴可夫斯基内心世界的一部心理芭蕾作品。艾夫曼通过精心构建主人公柴可夫斯基与舞剧人物角色之间,以及主人公与柴可夫斯基音乐作品中典型艺术形象之间错综复杂的"复调"式对话关系,从多个方面深层次地复刻了柴可夫斯基充满矛盾的心理历程和悲剧命运。复调对话成为这部心理芭蕾舞剧最为重要的表现方式和艺术特征。The ballet Tchaikovsky( 1993 edition) is a psychological ballet by the famous Russian choreographer Boris Eifman who reveals Tchaikovsky’s inner world through dialogues. By elaborately constructing the intricate "polyphonic "dialogue relationship between the protagonist Tchaikovsky and the characters in the ballet,and the relationship between the protagonist and the typical artistic images in Tchaikovsky’s music compositions,Eifman reproduces Tchaikovsky’s contradictory psychological process and tragic fate from different aspects. Polyphonic dialogue has become the most important way of expression and artistic feature of this psychological ballet.

关 键 词：心理芭蕾 《柴可夫斯基》 微型对话 大型对话 复调对话 

分 类 号：J712[艺术—舞蹈]