论宋杂剧由两段式演进为三段式的时间及动因  

On the Time and Motivation of the Structural Change ofZajuin the Song Dynasty from Two to Three Sections

作　　者：刘叙武[1] LIU Xuwu

机构地区：[1]西南大学文学院

出　　处：《戏剧艺术》2021年第6期64-75,共12页Theatre Arts

基　　金：西南大学“雨僧学术计划”基本科研项目“宋金杂剧艺术体制研究”的阶段性成果。

摘　　要：宋杂剧原是在宫廷大宴节次中表演的节目,北宋杂剧一场分为两段,即艳段加正杂剧,并与队舞结合演出。进入南宋孝宗乾道朝(1165年),宫廷大宴节次取消了队舞,为填补空出来的时间,确保宫廷宴饮节奏不被打乱,原本独立存在、与杂剧性质最为接近的杂扮被纳入杂剧演出结构,置于正杂剧之后。由此宋杂剧演进为一场三段式,同时保留一场两段式。宋杂剧内部结构松散,各段内容互不贯通,艳段、正杂剧、杂扮之间是非固定组合关系。一场三段式杂剧走向消亡大约是在1235年至1264年间。Zaju of the Song Dynasty was originally a programme performed at court feast.It consisted of two sections in the Northern Song Dynasty,namely the yanduan(prelude)and zheng zaju(main body),performed together with group dance.Later on,with group dance cancelled at court feast in the Southern Song Dynasty(around 1165 A.D.),zaban,the dispersed section of zaju which originally existed independently and was closest in nature to it,was added and placed after the main body in order to fill the vacancy and to guarantee the rhythm of court feast.Therefore,zaju became a three-section performance,while that of two sections co-existed.It was a random combination of yanduan,zheng zaju and zaban,and the contents of each section were unrelated.The three-section zaju faded away between 1235 and 1264.

关 键 词：宋杂剧 艳段 正杂剧 杂扮 队舞 

分 类 号：J80[艺术—戏剧戏曲]