从文人走向人文--胡先骕的新古典主义文学批评及旧体诗写作  

From Literati to Humanism--Hu Xiansu's Neoclassical Criticism and Classical Poetry Creation

作　　者：李肖锐 Li Xiaorui

机构地区：[1]复旦大学古籍整理研究所(中国古代文学研究中心)

出　　处：《理论界》2021年第12期82-88,共7页Theory Horizon

摘　　要：胡先骕早年曾受新人文主义思潮影响,从而提出了较为系统的诗歌批评理论。与胡适产生学术争鸣之时,胡先骕表达了对中国文学发展去向的颇多灼见。其学诗路径由同光体派而渐入宋,并结合当时的新古典主义美学欲从旧体诗中开掘"新理致",最终将诗学理想凝聚为中国未来之"大诗人",为传统学人诗系统开辟出现代语境。《忏庵诗》则主要传递胡先骕对自然哲学与人情世界的双重思考,综合逻辑思辨、义理阐释与生命感喟,是现代旧体诗艺术造境的重要尝试。故其诗集之整体风格不能以唐宋概全。胡先骕的古典诗歌批评与创作是他实现人文理想的重要途径。Hu Xiansu put forward a more systematic poetry theory by the influence of New Humanism in his early years and expressed several penetrating views on Chinese literature’s tendency while disputing with Hu Shi. Based on the Song and Tongguang Poetry School’s poetic aesthetics, he attempted to explore some New Philosophy combing with present Neoclassical theory, anticipated a Great Poet to realize his poetic aspiration as well, which inaugurated the modern context for traditional scholar poetry. Chan’an Poetry Collection is a pioneering work on modern artistic conception compositing the logic speculation, philosophy interpretation and life observation, includes the dual reflections both on nature and human from Hu Xiansu. Therefore, it is inappropriate to summarize it in any one genre. In conclusion, Hu Xiasu’s criticism and creation are major ways to realize his humanistic ideal.

关 键 词：胡先骕 学衡派 新古典主义 《忏庵诗》 

分 类 号：I206[文学—中国文学]