艾森曼早期数字建筑形式生成方法研究  

A Study of Eisenman’s Early Digital Architectural Form Generation Method

作　　者：王洁 邓庆坦[2] Wang Jie;Deng Qingtan

机构地区：[1]山东建筑大学建筑与城规学院 [2]山东建筑大学

出　　处：《中外建筑》2021年第12期93-99,共7页Chinese & Overseas Architecture

摘　　要：1980年代,彼得·艾森曼(Peter Eisenman)先后受到雅克·德里达(Jacques Derrida)解构哲学与吉尔·德勒兹(Giles Louis Rene Deleuze)生成思想的影响,设计方法从对潜在关系的解构向形式生成转变,为数字形式生成方法论奠定了基础。对艾森曼与林恩(Greg Lynn)的建筑作品深入分析,在计算机技术发展的影响下,形式生成方法论的形成经过了从解构主义、自动生成探索到参数化生成设计的阶段,非线性的连续形式在当今数字化建筑领域仍是典型特征。研究形式生成方法论的形成,可以明确早期数字建筑师做出的重要贡献,更全面地把握形式生成的发展趋势,对于未来生成更复杂的建筑形式与拓展建筑师的设计思路具有重要意义。In the 1980s,Peter Eisenman was influenced by Jacques Derrida’s philosophy of deconstruction and Gilles Deleuze’s generative ideas,and the design approach shifted from the deconstruction of potential relationships to form generation,laying the foundation for a digital form generation methodology.An in-depth analysis of Eisenman and Lynn’s architectural work shows that the formation of formgenerating methodology has passed through stages from deconstructionism and auto-generative exploration to parametric generative design under the influence of the development of computer technology,and that non-linear continuous forms are still typical in the field of digital architecture today.The study of the formation of form generation methodology can clarify the important contributions made by early digital architects and provide a more comprehensive grasp of the development trend of form generation,which is important for the future generation of more complex architectural forms and the expansion of architects’design thinking.

关 键 词：彼得·艾森曼 格雷戈·林恩 形式生成 德里达 德勒兹 参数化 解构主义 

分 类 号：TU201.1[建筑科学—建筑设计及理论]