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作 者:王思雨 邓庆坦[1] Wang Siyu;Deng Qingtan
机构地区:[1]山东建筑大学
出 处:《中外建筑》2021年第12期100-104,共5页Chinese & Overseas Architecture
摘 要:1980年代兴起的解构主义建筑潮流,发生了从颠覆冲突形态向自然连续形态的转变,其中,从几何折叠到自然褶皱是一种重要趋向。在这一转变中,从解构哲学到德勒兹哲学,为先锋建筑师提供了世界观转变的依据。从立体构成到数字生成,数字技术奠定了技术基础。褶皱是自然界的一种形态或现象,由德勒兹拓展到特定的哲学领域,解读为组构世界的基本元素,影响到包括建筑学在内的诸多领域。本文基于德勒兹哲学,探讨了褶皱理论在建筑形态中的生成技术倾向,结合当代建筑师具有代表性的实践案例,阐明了从传统几何折叠到自然褶皱的当代解构主义建筑复杂形态的演变趋势,分析褶皱在建筑创作中的操作手法。The trend of deconstructionist architecture that emerged in the 1980s underwent a shift from subverting conflicting forms to natural continuous forms,in which the shift from geometric folding to natural folds was an important tendency.In this shift,the shift from deconstruction philosophy to Deleuze philosophy provided the pioneering architects with the basis for the shift in worldview.From threedimensional composition to digital generation,digital technology laid the technical foundation.Folds are a form or phenomenon in nature,expanded by Deleuze to a specific philosophical field,interpreted as a fundamental element of the grouped world,and influencing many fields including architecture.Based on Deleuze’s philosophy,this paper explores the generative technological tendencies of fold theory in architectural forms,and,combined with representative practice cases of contemporary architects,elucidates the evolutionary trend of contemporary deconstructionist architectural complex forms from traditional geometric folding to natural folds,and analyzes the manipulation of folds in architectural creation.
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