世纪之交的山乡文明景象及忧思——重读贾平凹的长篇小说《怀念狼》  

Scenes and Worries of Mountain Civilization at the Turn of the Century—Rereading Jia Pingwa's Novel"Missing the Wolf"

作　　者：郁勤 Yu Qin(School of Humanities,Shanghai Normal University,Shanghai,200235;School of Arts,Wuyi University,Jiangmen,Guangdong 529020,China)

机构地区：[1]上海师范大学人文学院,上海200235 [2]五邑大学文学院,广东江门529020

出　　处：《大庆师范学院学报》2022年第1期67-76,共10页Journal of Daqing Normal University

基　　金：国家社会科学基金项目“中国当代生态批评研究”(19BZW114);广东省教育厅项目“‘人民文学’视阈与新中国文学制度构想”(2013WYM_0086);广东省“创新强校”规划课题(2017GXJK176);五邑大学“以OBE理念为导向的中国现当代文学课程教学研究与改革”(JX2018020)阶段性研究成果。

摘　　要：对人与自然万物关系的书写,在中国文学传统中常为主流之一,当代作家贾平凹的创作也颇多此类叙述。新世纪初,贾平凹的长篇小说《怀念狼》以富有魔幻色彩的笔墨,以谱写人和狼在历史与现实之间缠斗的乡土悲歌形式而重返商洛山乡。通过对“以实写虚”“以物观物”等民族叙事传统的化用,在人狼相生相克的图景中反思“天人合一”思想的应然性、合法性、不确定性,赋予了现代发展面向生态书写的丰富性、审美性和民族性,从而对全球化语境下如何建构中国乡土的生态文明提出了基于乡土历史与实践的忧思和启示。The relationship between man and all things in nature is the mainstream of Chinese literature,and contemporary writer Jia Pingwa's works are also full of such narratives.At the beginning of the new century,Jia Pingwa's full-length novel"Missing the Wolf"returned to Shangluo Mountain with magic ink,in the form of local elegy in which people and wolves struggled between history and reality.By using national narrative traditions such as"writing with reality"and"seeing things with things",this narrative reflects on the necessity,legitimacy and uncertainty of the thought of"harmony between man and nature"in the picture of a paradoxical relationship,which endows modern development of ecological writing with richness,aesthetics and nationality,and thus puts forward worries and enlightenment based on local history and practice on how to construct the ecological civilization of China's countryside in the context of globalization.

关 键 词：《怀念狼》 生态危机 万物有灵 本土化 现代忧思 

分 类 号：I207[文学—中国文学]