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作 者:赵素忍 张乙宁 Zhao Suren;Zhang Yining(School of Culture and Communication,Hebei University of Economics and Bussiness,Hebei Shijiazhuang 050061,China)
机构地区:[1]河北经贸大学文化与传播学院,河北石家庄050061
出 处:《河北经贸大学学报(综合版)》2021年第4期50-54,共5页Journal of Hebei University of Economics and Business(Comprehensive Edition)
基 金:河北省社会科学发展研究课题“元代文言小说选本研究”(2019030501006)。
摘 要:“两拍”是中国拟话本小说的巅峰之作,其题材来源一直是研究者关注的热点。文言小说选本《广艳异编》与拟话本小说“两拍”之间存在着大量的题材重复现象,被研究者认为是“两拍”取材的渊薮,但通过文献比对发现,《广艳异编》并非“两拍”的蓝本。由此引发我们注意到学界在进行“两拍”源流探讨时往往忽视选本乃编选他人作品而非原创这一本质特征,只要研究对象与选本之间存在关联就认为该选本是其素材来源。究其原因在于忽视了文学流变中选本传播推动经典形成这一事实,中国小说选本夥矣,不能以一部选本的选编当成唯一来源,更不能把选本当做文学创作。"Two Pais"are considered the acme of Chinese quasi vernacular novels,whose source of subject matters has always been the focus of researchers.There are a lot of theme duplication between Guang Yan Yi Bian,an anthology of classical Chinese novels,and the quasi vernacular novels"Two Pais".Therefore,Guang Yan Yi Bian is often considered as the origin of"Two Pais"by many researchers.However,through literature comparison,it is found that Guang Yan Yi Bian is not the blueprint of"Two Pais".Scholars often ignore the fact that anthologies are not original pieces but selected or compiled works of others when discussing the origin of"Two Pais".As long as there is a correlation between the research object and the anthology,the anthology will be considered as its source material.But they ignore the fact that the dissemination of anthologies promotes the formation of classics in the evolution of literature works.There are many anthologies in Chinese novels.We can't use one selected work as the only source,let alone regard that work as literary creation.
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