“卧游”与“澄怀”--梅清《黄山图像》中的精神之寓  

"Travel through Paintings"and"Meditation"(chenghuai)--Spiritual residence in Huangshan Image by Mei Qing

作　　者：高飞[1] Gao Fei

机构地区：[1]安徽师范大学美术学院,安徽芜湖241002

出　　处：《南京艺术学院学报（美术与设计）》2021年第6期58-65,I0011,I0012,共10页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：国家社会科学基金项目《明清时期皖南诸画派美学思想研究》(12BZX083)。

摘　　要：梅清因写黄山胜景在中国山水画史上占有重要地位。他的《黄山图像》,无论图轴,还是册页,皆由“心师造化”,成其“聊当卧游”的意象图式。也因“心师造化”,别构出一个灵奇的“黄山之影”的视界。梅清之所以在其《黄山图像》中,达成如此的审美指向,归根结蒂与其“卧游”与“澄怀”的精神之寓密不可分。Mei Qing played an important role in the history of Chinese shanshui painting because of his painting of the beautiful scenery of Huangshan Mountain.His Huangshan Images,both painting scrolls and albums,had been image schema of"chatting and lying around"from"heart learning from the nature,"and because of which,he constructed a spiritual and special vision of"the image of Huangshan."The reason why Mei Qing achieved such an aesthetic direction in his Huangshan Images was indeed inseparable from the spiritual combination of"reclining travel"and"chenghuai".

关 键 词：梅清 黄山图像 卧游 澄怀 

分 类 号：J206[艺术—美术]