六朝佛教造像对海东的传播路径探析  

On the Spreading Paths of Buddhist Statues in the Six Dynasties to Haidong

作　　者：费泳[1] Fei Yong

机构地区：[1]南京艺术学院美术学院,江苏南京210013

出　　处：《南京艺术学院学报（美术与设计）》2021年第6期89-94,I0012,共7页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：以建康为中心的六朝佛教造像,在对海东初传中占有主导性地位,特别是“褒衣博带式”佛衣、微笑像容等一些重要造像因素,在朝鲜半岛三国时代及日本飞鸟时代的佛像表现中显得尤为突出。从传播渠道来看,中朝之间由于陆地相连又隔海相望,所以存在陆路与海路的不同途径。中日之间海上传播路径主要有北道“新罗道”和南道“吴唐之路”,也有经半岛内陆辗转传至日本。本文结合新发掘的造像实物及相关文献记载,探讨以建康为中心的六朝佛教造像对朝鲜半岛及日本的影响,并考证建康东传的具体路径。The Buddhist statues of the Six Dynasties centered on Jiankang occupied a dominant position in the early spread of Haidong,especially some important statue factors such as"commendatory clothing and broad belt"Buddhist clothing and smiling images,which were particularly prominent in the performance of Buddhist statues in the Three Kingdoms era on the Korean Peninsula and the Asuka period in Japan.From the perspective of communication channels,China and North Korea are connected by land and across the sea,so there are different ways by land and sea.The sea communication routes between China and Japan mainly include"Sinro Road"in the north and"Wu Tang Road"in the south,and also roads through the inland of the peninsula.Combined with the newly excavated statues and relevant literature records,this paper discusses the impact of the Buddhist statues of the Six Dynasties centered on Jiankang on the Korean Peninsula and Japan,and examines the specific paths of Jiankang's Eastward Transmission.

关 键 词：建康 佛教造像 朝鲜半岛 日本 

分 类 号：J309[艺术—美术]