东西方建筑文化差异性研究——以雷姆·库哈斯与藤本壮介的对比为基础  

Study on the Cultural Differences Between Eastern and Western Architecture--Based on the Comparison Between Rem Koolhaas and Sou Fujimoto

作　　者：白效轩 Bai Xiaoxuan(School of Architecture and Urban Planning,Shandong Jianzhu University,Jinan Shandong 250101,China)

机构地区：[1]山东建筑大学建筑城规学院,山东济南250101

出　　处：《城市建筑》2021年第34期107-110,共4页Urbanism and Architecture

摘　　要：随着全球化发展进程的不断推进,建筑设计早已不是单纯的设计手法和形式美学的运用,东西方的建筑文化在融入的过程中相互碰撞,愈加明显的文化内容渗透到东西方建筑师的设计中。本文通过两种文化背景下成长起来的先锋建筑师雷姆·库哈斯和藤本壮介的对比,结合二人的建筑观念、设计方法及各自的建筑作品,探讨东西方建筑师和东西方建筑文化背后的差异性,对中国当代建筑及在全球化背景下的中国建筑如何发展,具有重要的借鉴作用和现实意义。研究表明,东西方建筑文化差异性主要表现在处理建筑与自然环境的关系上,这种差异性来源于其背后更深层次的哲学思考。With the development of globalization,architectural design is no longer a simple application of design techniques and formal aesthetics.In the process of integration,the collision between eastern and western architectural cultures becomes more and more obvious,and more and more obvious cultural content permeates into the design of eastern and western architects.Based on the comparison between the pioneer architects Rem Koolhaas and Sou Fujimoto,who grew up under two cultural backgrounds,this paper combines the architectural concepts,design methods and their respective architectural works of the two to explore the differences between the eastern and western architects and the eastern and western architectural culture behind them,which has an important reference and practical significance for the development of Chinese contemporary architecture under the background of globalization.Studies have shown that the difference between eastern and western architectural culture is mainly manifested in the handling of the relationship between architecture and the natural environment.This difference comes from deeper philosophical thinking behind it.

关 键 词：建筑观念 东西方文化 差异性 

分 类 号：TU241[建筑科学—建筑设计及理论]