变形哀歌:“爱欲诗人”奥维德诗辩  

Elegiac Verses in Various Metamorphoses: A Defense of Poetry by Ovid “the Erotic Poet”

作　　者：梁庆标[1] LIANG Qingbiao

机构地区：[1]江西师范大学文学院

出　　处：《国外文学》2021年第4期21-29,153,154,共11页Foreign Literatures

基　　金：国家社科基金一般项目“西方反传记批评研究”(项目编号:21BWW014)的阶段性成果。

摘　　要：作为书写"爱欲"、"神话"与"流放"等多重主题的"哀歌体诗人",奥维德的生命遭际或不断"变形"都清晰地体现在诗歌流变之中,从而赋予其诗作明显的个人化色彩。他运用哀歌体,着力于个体爱欲并在神话诗中大量塑造"诗人"形象,也借此逐步完成了隐秘的自我"神化",这其实都可以视为诗人在政治、道德等压力钳制下的艺术修辞,意在辨明并维护自由诗人的书写权力、独立人格与不朽声望。Ovid’s life experience or constant "deformation" was all clearly reflected in the evolution of his poems. He used an elegy style,focused on individual erotic stories,and created a large number of poetic images in mythological poems,and at the same time gradually completed the "deification"of his secret self. In fact,it can be regarded as a rhetorical effort of the poet under the pressures of politics and morality to defend and maintain the writing power,independent personality and immortal reputation of liberal poets.

关 键 词：奥维德 变形 诗歌 辩护 

分 类 号：I106.2[文学—世界文学]