印象/后印象画派与美国现代派小说的生成和流变  

The Post/Impressionistic Painting and the Shaping and Evolution of Modern American Fiction

作　　者：鲍忠明[1] BAO Zhongming

机构地区：[1]北京理工大学外国语学院英语系

出　　处：《国外文学》2021年第4期40-51,154,共13页Foreign Literatures

基　　金：国家社科基金资助一般项目“后/印象画派与美国现代派小说的生成、流变及理论建构研究”(项目编号:17BWW016)的阶段性成果。

摘　　要：本文以印象/后印象派绘画艺术对美国现代派小说生成与流变的影响为问题轴心建构研究坐标,聚焦詹姆斯、斯泰因、安德森、海明威与福克纳五位小说家,纵向绎解个体作家的巴黎经历、小说理论、艺术批评、文本实践等所标识之印象/后印象派美学指数,横向梳理美国现代主义印象派小说的发展脉络,彰示代表性文本在创作理念、手法与风格、主题与形式方面的印象/后印象主义表征,并据此对其跨媒介美学内涵进行规划提炼,进而实施缘起、承接、巅峰三阶段界分。Post/Impressionist aesthetic,a long-standing,shaping influence on the supreme quality of modern American fiction,has received insufficient attention. Targeting this deficiency,the paper studies Henry James,Gertrude Stein,Sherwood Anderson,Ernest Hemingway and William Faulkner in an attempt to offer an in-depth investigation of how the five novelists’ individual experiences in Paris,fiction theory,art criticism and literary practice combine to forge their Impressionist principles, highlights the Impressionistic representation of their aesthetic beliefs,literary styles,devices,themes,and forms in representative works,and delineates a three-stage development of modern American Impressionistic fiction,namely initiation,transmission,and maturation.

关 键 词：印象/后印象画派 美国现代派小说 印象主义小说 

分 类 号：I712.074[文学—其他各国文学] J205[艺术—美术]