思变求新,笃行致远--论歌德的三则童话  

On the Significant Changes of Goethe’s Thoughts:Taking His Three Fairy Tales as Examples

作　　者：丰卫平[1] FENG Weiping(Department of German,Sichuan International Studies University,400031 Chongqing,China)

机构地区：[1]四川外国语大学德语系,重庆400031

出　　处：《同济大学学报（社会科学版）》2021年第6期1-9,19,共10页Journal of Tongji University:Social Science Edition

基　　金：国家社会科学基金一般项目“童话及童话元素在现代德语文学中的运用”(17BWW085)。

摘　　要：歌德三则童话《新帕里斯》《新美露西娜》和《童话》包揽了歌德思想质变的关键节点,不论是在每一则童话的内部,还是三则童话相互关联的纵向发展中,都可见他在不断地思变、提升自我:从孩童时代懵懂未知及尝试明理的求知、求解到青年求学时期对爱情及人生规划的思虑,及至人到中年跨越个体的局限而延伸至社会、国家和德意志文化的变革。个体的精神漫游、地理位移导致他思想观念的不断创生。在这一过程中,歌德对异文化的吸纳及其与其他精英个体的交往和互相启迪丰富了他的思想内涵。This article explores Goethe’s three fairy tales,i.e.,“New Paris”,“New Melusine”and“Fairy Tale”.These fairy tales embody the most significant changes in Goethe’s thoughts.By analyzing his three fairy tales respectively and dissecting the relations in between,this article discovers that Goethe has been making constant progress.Specifically,he has grown from a naive child seeking knowledge into a young man concerned about life and romantic love,and then into a middle-aged man ultimately embedded in the social,national and cultural reforms of Germany.Goethe’s physical and spiritual travel has exerted a formative influence on his thoughts,a process in which Goethe’s exposure to foreign otherness and interaction with other elite individuals has promoted and enriched his innovative thinking.

关 键 词：歌德 《新帕里斯》 《新美露西娜》 《童话》 思变求新 

分 类 号：I516.73[文学—其他各国文学]