在与古希腊意识的对峙中获得自我--《饼与葡萄酒》与荷尔德林后期诗歌中的“新神话”诗学构想  

Gaining Self in the Confrontation with Ancient Greek Consciousness:“Brod und Wein”and the“New Mythology”Poetic Conception in Friedrich H lderlin’s Later Poems

作　　者：刘晗 LIU Han(School of Germanic Studies,Shanghai International Studies University,Shanghai 201620,China)

机构地区：[1]上海外国语大学德语系,上海201620

出　　处：《同济大学学报（社会科学版）》2021年第6期10-19,共10页Journal of Tongji University:Social Science Edition

摘　　要：十八和十九世纪欧洲知识分子们提出“新神话”,意欲对启蒙理性与感性神话进行改造:要将哲学神话化以使其具有感性化的特质而能被民众接受与感知。荷尔德林用诗学的表达方式对“新神话”做出了回应与阐释。荷尔德林的诗学与古希腊传统有着密不可分的关系。伽达默尔认为,古希腊文化并不是荷尔德林的“教育材料”,两者之间发生激烈的碰撞,是一种强力的相遇。荷尔德林在他的后期诗歌《饼与葡萄酒》中通过这种与古希腊意识对峙的方式展现了其“新神话”的诗学构想。The“New Mythology”put forward by European intellectuals in the 18th and 19th centuries is a requirement for the transformation of rational philosophy and sensuous mythology.Philosophy must be mythologized so that it can be sensuously accepted and perceived by the public.H lderlin responded and explained the“New Mythology”with poetic expressions.H lderlin’s poetics is inseparably related with ancient Greek tradition.Gadamer believes that ancient Greece culture is not H lderlin’s educational material,and that the fierce collision between the two is a powerful encounter.H lderlin demonstrated his“New Mythology”poetic conception in his later poem“Brod und Wein”through confrontation with the ancient Greek consciousness.

关 键 词：新神话 荷尔德林 古希腊 《饼与葡萄酒》 

分 类 号：I516.24[文学—其他各国文学]