风景的“发现”与20世纪国人游记中天山形象的建构  

“Discovery”of Landscape and Construction of Tianshan Image in Chinese Travel Books of 20th Century

作　　者：成湘丽[1] CHENG Xiang-li(College of Chinese Languages and Literature,Xinjiang University,Urumqi 830000,Xinjiang,China)

机构地区：[1]新疆大学中国语言文学学院,新疆乌鲁木齐830000

出　　处：《石河子大学学报（哲学社会科学版）》2021年第6期107-114,共8页Journal of Shihezi University(Philosophy and Social Sciences)

基　　金：2020年新疆自治区社科基金一般项目“新疆红色文学整理及经典化路径研究”(20BZW109);2018年新疆大学博士启动基金项目“新疆游记的文化传统及其文化旅游资源开发研究”(BS180129)。

摘　　要：作为入新的标志性地理名片,天山在近现代以来的新疆游记中是一个绕不过的形象。从清末至民国前期,在天山与内地名山的类比联想中,寄寓了新疆是我国不可分割的领土和组成部分的地理象征与风景话语。民国中后期,更多民国知识分子放眼世界,将新疆称为中国“前门”、将天山视为中亚枢纽在一定程度上进一步更新了时人对于新疆地理位置和战略地位的认识。新中国成立以来,一大批文人以“天山”为题名的诗集作品承接了这一文化传统,并从物产资源和劳动实践等角度进一步强化了“天山”在社会主义文艺实践中的风景话语和文化内涵。As the characteristic geographical landmark of entering Xinjiang,Tianshan is such an image one can not avoid in modern travel books about Xinjiang.From the end of Qing Dynasty to the beginning of Republic of China,in the analogous association of Tianshan and famous inland mountains,there formed the geographical symbolism and discourse that Xinjiang is an indispensable part of Chinese territory.In the middle and late periods of Republic of China,more and more intellectuals widened their view,calling Xinjiang as the"front gate"of China and Tianshan as the central transportation hub in Central Asia,which further updated contemporary people's understanding of Xinjiang's geopolitics and strategic position.Since the founding of People's Republic of China,a number of poets and celebrities wrote a series of works with"Tianshan"as the title,which is a continuation of cultural tradition and a further strengthening of"Tianshan"landscape politics in socialist artistic practice from such aspects as products resource and labor practice etc.

关 键 词：天山形象 地理象征 资源宝库 文化经验 

分 类 号：I209.9[文学—中国文学] I266.4