旅京台湾作家与迁台“老北京”的北京想象——兼论台湾70年代“北京热”  

The Images of Beijing in the Works of Taiwan Residents Writers in Beijing and “Old Beijing” Who Moved to Taiwan

作　　者：王璇 Wang Xuan

机构地区：[1]北京联合大学师范学院

出　　处：《中国文化研究》2021年第4期33-42,共10页Chinese Culture Research

基　　金：北京联合大学科研资助项目“旅京台湾作家的中国叙事研究”(SK30202002);国家社科基金项目“当代台湾乡土小说流变研究(1965—2015)”(18BZW149);教育部社科基金项目“两岸作家交游史料整理与研究(1895—1949)”(21YJC751014)的阶段性成果。

摘　　要：旅京台湾作家和迁台"老北京"是台湾70年代书写北京的文学潮流中的两股文学力量。他们虽共同推动了这一文学潮流的出现,但由于不同的地域身份,其创作动能与指向是不完全一致的。旅京台湾作家对北京形象的塑造带有"异乡"感,移植北京经验成为他们的创作动能;"老北京"则更倾向于感怀旧的时代,展现出更深的历史脉络。北京形象塑造的背后,反映了70年代台湾的社会风貌和作家的身份特质。Taiwan Residents writers who moved to Beijing and “old Beijing” who moved to Taiwan were two forces in the literary trend of writing Beijing in the 1970 s.Although they jointly promoted the emergence of this literary trend,their creative momentum and direction are not entirely consistent,because of their different identities.Taiwan Residents writers who moved to Beijing have a sense of “non-native” in their portrayal of the image of Beijing,and transplanting the experience of Beijing has become their creative motivation,while “old Beijing” tend to be nostalgic and show a deeper historical context.Behind the image-building of Beijing,it reflects the social features of Taiwan in the 1970 s and the identity characteristics of the writers.

关 键 词：旅京台湾作家 迁台作家 北京形象 乡愁 

分 类 号：I2[文学—中国文学]