论郁达夫小说《迟桂花》的空间叙事  

On Spatial Narrative of Yu Dafu's Novel Sweet-scented Osmanthus in Belated Bloom

作　　者：刘城奕 LIU Cheng-yi(College of Arts,Jiangxi Normal University,Nanchang,Jiangxi,330022)

机构地区：[1]江西师范大学,江西南昌330022

出　　处：《广州广播电视大学学报》2021年第6期92-95,112,共5页Journal of Guangzhou Open University

摘　　要：作为五四时期杰出的小说家,郁达夫以其“自叙传”式的自我剖析形成了独树一帜的文风。在郁达夫的小说创作中,他将重点放在描绘主人公的内心世界和对外部世界的情感反应上,不致力于对主人公的生活作全面的描述,也不企图反映复杂的现实。郁达夫小说涉及的时间通常比较短促,表现的事件相对单一,更注重小说空间的营造。因此,对郁达夫小说的空间叙事展开深入研究具有独特的意义。本文以郁达夫后期的代表作《迟桂花》为切入口,采用空间叙事的分析方法对小说中的三重空间形态展开分析,以求对郁达夫小说世界的独特性与艺术价值进行深刻的把握。As an outstanding novelist in the period of May 4th movement,Yu Dafu formed his own style of writing with his"autobiographical"self analysis.In Yu Dafu's novel creation,he focuses on describing the protagonist's inner world and emotional response to the external world,and does not try to make a comprehensive description of his life,nor attempt to reflect the complex reality.The time involved in Yu Dafu's novels is usually short,and the events are relatively simple,with more attention paid to the creation of space in the novels.Therefore,it is of unique significance to carry out in-depth research on the spatial narrative of Yu Dafu's novels.In this paper,Yu Dafu's late masterpiece"Sweet-scented Osmanthus in Belated Bloom"is discussed,using the method of spatial narrative analysis of the novel in the triple space form analysis,in order to reveal his novel world of uniqueness and artistic value of a profoundness.

关 键 词：《迟桂花》 郁达夫 空间叙事 

分 类 号：I207.42[文学—中国文学]