漳州木偶雕刻融入文化产业创新的思考  

On the Integration of Zhangzhou Puppet Carving into Cultural Industry

作　　者：朱三益 Zhu Sanyi

机构地区：[1]闽南师范大学艺术学院,福建漳州363000

出　　处：《闽台文化研究》2021年第4期84-87,共4页Fujian-Taiwan Cultural Research

基　　金：福建省教育厅中青年教师教育科研项目:“闽南民间剪纸传承课程的融合性研究”(JAS180254)。

摘　　要：漳州木偶雕刻的文化内蕴美、艺术形式美,具有极高的融入文化产业的价值。探索木偶文化产业创新的新路径,应该从时代的高度去思考:一是应该以生产性的保护和适度开发为原则,一方面要传承原汁原味的老祖宗的手工技艺,这是民间艺术的珍品,另一方面要与时俱进,创造出大众喜闻乐见的产品。二是应该营造适合于本土传统文化发展的新生态,培养新一代木偶艺术专业人才和青少年观众,不仅要让传统木偶的文化精髓得以传承,也要让木偶艺术的现代价值弘扬彰显。The beauty of cultural connotation and artistic form of Zhangzhou puppet carving renders a high cultural value.The new path of innovation of puppet culture industry should be explored from the perspective of the times.First,follow the principle of production protection and moderate development,i.e.inheriting the original craftsmanshipand creatingup-to-date products popular with the public.Second,create environment for the development of local traditional culture,cultivating a new generation of puppet art professionals and young audiences,not only to inherit the cultural essence of traditional puppet,but also to promote and highlight the modern value of puppet art.

关 键 词：木偶雕刻 创新 文化产业 

分 类 号：J314.2[艺术—美术]