原型批评视域下莫言小说中的女神崇拜研究  

Goddess Worship in Mo Yan’s Novels from the Perspective of Archetypal Criticism

作　　者：杨阳[1,2] YANG Yang(Scientific Research Office,Anhui Vocational and Technical College,Hefei,230011,Anhui;School of Liberal Arts,Anhui University,Hefei,230039,Anhui)

机构地区：[1]安徽职业技术学院科研处,安徽合肥230011 [2]安徽大学文学院,安徽合肥230039

出　　处：《蚌埠学院学报》2022年第1期18-22,共5页Journal of Bengbu University

基　　金：安徽省人文社会科学重点项目(SK2017A0544);安徽省高校人文社会科学重大项目(SK2020ZD53);安徽省教育厅高校优秀拔尖人才培育资助项目(gxgnfx20200049)。

摘　　要：原型批评理论是二十世纪一种影响较大的文学批评范式,其中,神话-原型理论认为大母神是一切母亲形象的来源。基于大母神的原型理论分析了莫言小说中女神崇拜的表现,即女性身体上的“丰乳”与“肥臀”,强烈的生殖欲望与旺盛的生殖能力以及包容博爱、无私奉献的精神。个体潜意识中的女神崇拜以及身边女性的影响是莫言小说中女神崇拜书写的主要原因,小说中对女神崇拜的书写至今仍具有较强的现实意义。Archetypal criticism theory is one of the most influential literary criticism methods in the 20th century,among which mythology-archetypal theory holds that the great mother goddess is the source of all mother images.Based on the archetype of the great mother goddess,the writing of goddess worship in Mo Yan’s novels was analyzed that the“big breasts”and“fat buttocks”on the female body,the strong reproductive desire and the vigorous reproductive ability,the spirit of inclusive love and selfless dedication.The main reasons for Mo Yan’s writing of goddess worship were explored,including the goddess worship in the individual’s subconscious and the influence of the women around him.The writing of goddess worship in the novel still has strong realistic significance.

关 键 词：原型批评 大母神 女神崇拜 集体无意识 

分 类 号：I206.7[文学—中国文学]