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作 者:鄢冬[1] YAN Dong(School of Literature,Journalism and Communication,Inner MongoliaUniversity,Hohhot 010070,China)
机构地区:[1]内蒙古大学文学与新闻传播学院,内蒙古呼和浩特010070
出 处:《兰州文理学院学报(社会科学版)》2022年第1期32-38,共7页Journal of Lanzhou University of Arts and Science(Social Science Edition)
基 金:内蒙古社科规划青年项目“空间理论与文化记忆视域下的内蒙古新诗文化审美研究(1917-2017)”(2017NDC136)。
摘 要:李建军多年从事文学批评实践,并形成了自有的理论谱系。其文学批评的斗争性与鲁迅的“蔷薇”精神一脉相承,但讲求文体形式的精美与批评本身的温暖表达又和帕乌斯托夫斯基有些类似。同时,他的批评思想的复杂性也有待于深入研究。他既信服经典的参照性,又质疑那些“症候性经典”。他既注重对当代作家作品进行伦理批评,又强调不能只以伦理为唯一评判标准。他既有独立于作品之外的理性思辨,又时常被文学精神所缚。李建军批评始终指向三大问题:一是经典体系的建构与传承,二是批评场域的良性运行,三是建构伟大作家的文格与品格。从批评内容、批评方法、批评态度三个方面进行探讨,勾勒出李建军文学批评的思想内涵及艺术特点,以及它对于当下文坛的重要意义。Li Jianjun has been engaged in the practice of literary criticism for many years and has formed his own theoretical pedigree.The struggle of his literary criticism comes down in one continuous line with Lu Xun’s rose spirit,but the exquisite style and the warm expression of criticism itself are somewhat similar to Paustovsky.At the same time,the complexity of his critical thought needs to be further studied.He not only believes in the reference of classics,but also questions those symptomatic classics.He not only pays attention to ethical criticism of contemporary writers and works,but also emphasizes that ethics should not be the only criterion.He not only has rational speculation independent of his works,but also is often bound by the literary spirit.Li Jianjun’s criticism always points to three major problems:the first is the construction and inheritance of the classical system,the second is the benign operation of the critical field,and the third is the construction of the literary style and character of great writers.This paper discusses Li Jianjun’s literary criticism from three aspects:criticism content,criticism method and criticism attitude,so as to outline the ideological connotation and artistic characteristics of Li Jianjun’s literary criticism,as well as its important significance to the current literary world.
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