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作 者:张春义[1] Zhang Chunyi(College of Humanities and Law,Jiaxing University,Jiaxing,Zhejiang 314001)
出 处:《嘉兴学院学报》2022年第1期101-105,共5页Journal of Jiaxing University
基 金:国家社会科学基金(21BZW088)。
摘 要:对“中腔”的解释,目前学界意见尚不统一。有关《中腔令》词调,则因对得名渊源认识不清,而有多种错误的说法。现据相关史料,考得词调《中腔令》创调时间实在宋徽宗政和三年(1113)春。创调背景则与“徵调曲”有关,其全名当为《徵招调·中腔令》。其体有二:“一体”为《高丽史·乐志二》所载无名氏《中腔令》与王安中《徵招调·中腔·天宁节》;“又一体”为万俟咏《徵招调·中腔·瑞香》,各本均误为“《钿带长中腔》”。There has not been a consensus about the meaning of“zhongqiang”in academia.And there are many false statements on cidiao“Zhongqiang Ling”due to the ignorance of how it got this name.According to relevant historical materials,it was in the spring of the third year of Zhenghe period during Huizong s reign in the Song dynasty(1113)that“Zhongqiang Ling”came into being.Its formation was related to the tune in“zhidiao”and its full name should be“Zhishao Diao,Zhongqiang Ling”.It has two formations:“one formation”refers to“Zhongqiang Ling”by anonymous author recorded in The History of Gaoli:Music(Vol.2)and“Zhishao Diao,Zhongqiang:Tianning Jie”by Wang Anzhong while“the other formation”refers to Moqi Yong s“Zhishao Diao,Zhongqiang;Ruixiang”which is mistaken as“Diandaichang,Zhongqiang”in many records.
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