废墟美学——浅议中国城市废弃建筑空间中的当代艺术创作  

Ruins Aesthetics:Discussion on Contemporary Art Creation in Abandoned Architectural Space of Chinese Cities

作　　者：叶洪图[1] 刘雨薇 申大鹏[1] Ye Hongtu;Liu Yuwei;Shen Dapeng

机构地区：[1]大连理工大学建筑与艺术学院

出　　处：《建筑与文化》2022年第1期28-29,共2页Architecture & Culture

摘　　要：在中国当代城市化进程如此迅速的背景之下,废墟主题的当代艺术作品逐渐走入了大众视野。废墟美学作为在城市遗骸、文明废墟之上生成的一种介于新与旧、过去与未来之间的独特的审美经验,于哀伤、颓败、荒芜之中蕴含着人类重生的激情和热望。当代艺术家通过对废墟的感知与巧思以艺术的方式将城市过往的真实从废墟中抽离再融合,进行着丰富的演绎,观者在艺术家重新构建的空间下体味着过去的记忆与未来的狂想。追思与缅怀,破坏与建立,异质同体。通过对当代艺术家的此类典型作品进行分析解读,有助于更好地理解以城市废弃建筑为场域和媒介的当代艺术的创作,从而对当代废墟美学有更深的理解与认知。Under the background of rapid urbanization in contemporary China,contemporary art works with the theme of ruins have gradually entered the public’s field of vision.Ruins aesthetics,as a unique aesthetic experience between the old and new,the past and the future,which is generated from the remains of cities and the ruins of civilization,contains the same passion and desire for human rebirth in sorrow,decayanddesolation.Contemporary artists,through their perception and ingenious thinking of the ruins,take away the city’s past reality from the ruins in an artistic way,and perform a rich interpretation.The viewers appreciate the memories of the past and the fantasies of the future in the space reconstructed by artists.Remembrance and memory destruction and establishment,heterogeneity and oneness.By analyzing and interpreting the typical works of contemporary artists,this paper will help us to better understand the creation of contemporary art with urban abandoned buildings as the field and medium,and to have a deeper understanding and cognition of contemporary.

关 键 词：当代艺术 废墟美学 建筑 

分 类 号：TU-80[艺术—艺术设计]