汉魏六朝咏物赋体物日常化与中国传统自然审美经验的转捩  

Routine Depiction of Things in Object-chanting Fu During the Period of Han,Wei and Six Dynasties,and the Transition of Chinese Traditional Natural Aesthetic Experience

作　　者：孙旭辉[1] SUN Xuhui(Chinese Department, Zhejiang Shuren University, Hangzhou 310015, China)

机构地区：[1]浙江树人大学中文系,杭州310015

出　　处：《鲁东大学学报（哲学社会科学版）》2022年第1期50-55,共6页Ludong University Journal:Philosophy and Social Sciences Edition

基　　金：国家社会科学基金重大项目“改革开放40年文学理论学术史研究与文献整理”(19ZDA262)。

摘　　要：从审美角度重新认知汉魏六朝咏物赋,是深入发掘中国传统抒情方式及自然审美经验新变的重要途径。在创作方式上,汉魏六朝咏物赋通过把原始自然审美观念作用于对物体及精神层面的摹刻,使“体物”对象得以延展,从而为中国传统审美视域的扩展创造了条件;其次,汉魏六朝咏物赋的表现对象从目力所及之物向外部自然推展,体现了人们对于日常生活和俗世之景的关注,这种转变也给赋文体的空间拓展带来了更大的可能。“咏物赋体物日常化”是探究中国传统审美意识自然品格流变的重要线索。It's an important way to deeply explore the new change of traditional Chinese lyricism approach and natural aesthetic experience with re-cognition of object-chanting fu in Han,Wei and Six Dynasties from the aesthetic perspective.In the creative way,object-chanting fu in Han,Wei and Six Dynasties makes the objects of“depiction of things”extended and then creates the condition for the expansion of traditional Chinese aesthetic field of vision by the original natural aesthetic concept acting on the copy of levels of objects and spirit.In addition,the manifestation target of object-chanting fu in Han,Wei and Six Dynasties expanding naturally from the eyeline to the outside embodies the people's attention to daily life and earthly scene,which brings a greater possibility for the space extension of fu style.“Routine depiction of things in object-chanting fu”is an important clue to exploring the natural character change of traditional Chinese aesthetic consciousness.

关 键 词：汉魏六朝 咏物赋 自然审美经验 体物日常化 抒情方式 

分 类 号：I207.224[文学—中国文学]