高级坎普与唯美主义:论《恩主》中的坎普美学  

High Camp and Aestheticism:On Camp Aesthetics in The Benefactor

作　　者：柯英 Ke Ying(School of Foreign Languages,Suzhou University of Science and Technology,Suzhou,China 215009)

机构地区：[1]苏州科技大学外国语学院,215009

出　　处：《当代外国文学》2021年第4期13-19,共7页Contemporary Foreign Literature

基　　金：教育部人文社会科学研究规划基金项目(20YJA752006)“苏珊·桑塔格小说中的坎普美学研究”的阶段性成果。

摘　　要：苏珊·桑塔格的首部小说《恩主》具化了其标志性论文《关于“坎普”的札记》中的坎普美学,高级坎普和唯美主义两个特征经人物的言行举止得到突出呈现。桑塔格强调高级坎普的创造性能量,弱化坎普的同性恋源头,将大众的关注点引向一种包容性的感受力,同时以梦境为书写对象,摆脱历史、政治乃至道德的负担,构建一个纯粹审美的空间。然而,坎普去政治化和道德中立的唯美主义维度与桑塔格自己的立场偏离,小说由此也透露出反讽的意味。Camp aesthetics,described in Susan Sontag’s signature essay“Notes on‘Camp’”,are incarnated in her debut novel The Benefactor,where high camp and aestheti-cism meet in characters’speeches and manners.Sontag’s emphasis on the creative energy of high camp shifts public attention from the homosexual origin of camp to an inclusive sensibility.The novel's dream narrative constructs a purely aesthetic space disburdened of history,politics and morality.The aesthetic depoliticization and moral neutralization of camp here,however,is contrary to Sontag’s own position,leaving the novel tinted with irony.

关 键 词：苏珊·桑塔格 《恩主》 高级坎普 唯美主义 

分 类 号：I712.074[文学—其他各国文学]