大屠杀、战争、家庭:《月光狂想曲》的后后现代创伤叙事  

Holocaust, War, Family: The Post-postmodern Trauma Narrative of Moonglow

作　　者：尚广辉 Shang Guanghui(the College of Foreign Studies,Jiaxing University,Jiaxing,China,314001)

机构地区：[1]嘉兴学院外国语学院,314001

出　　处：《当代外国文学》2021年第4期35-43,共9页Contemporary Foreign Literature

基　　金：浙江省哲学社会科学规划课题“迈克尔·夏邦小说的非自然叙事研究”(19NDJC080YB)的阶段性成果。

摘　　要：2016年美国犹太裔作家迈克尔·夏邦出版了新作《月光狂想曲》。作品体现了美国后后现代小说的典型特征,将家庭作为言说及传递创伤记忆的空间,沿用非自然、碎片化、自反性及历史重访等后现代叙事策略复现人物的生命故事。作品将创伤置于历史之维、个体之维、家庭之维等进行深度透视,探索了人物的个性化大屠杀创伤与战争创伤的形式、形成机制、言说方式、应对策略及代际传递等,颠覆了大屠杀小说的创伤疗愈书写,重新审视创伤对个体命运、家庭关系及生存状态的影响,展现了作者独特的后后现代犹太创伤叙事艺术,书写了一部当代犹太家世小说。American Jewish writer Michael Chabon published Moonglow in 2016. This recent book is a characteristic piece of American post-postmodern fiction.It takes family as a space for speaking and passing down traumatic memory and employs postmodern narrative techniques, such as unnatural and fragmentary narrative,self-ref lexivity and historical revisioning to represent the characters’ life-stories. This novel examines trauma from historical, personal and familial perspectives, exploring the characters’ Holocaust and war traumas, the formation of trauma, the way trauma is spoken of and overcome, and trauma’s intergenerational transmission. The novel,as a modern Jewish family saga that disputes depictions of traumatic healing represented in Holocaust fiction, reexamines the impact of trauma on individual destiny,family relationships and living conditions, in a unique post-postmodern Jewish trauma narrative.

关 键 词：迈克尔·夏邦 《月光狂想曲》 后后现代小说 创伤叙事 

分 类 号：I712.074[文学—其他各国文学]